In Prateek’s detailed exposition in Alap-Jor with methodical development of the raga’s essential features, he displayed an air of serenity and technical proficiency. The three compositions rendered by him (a Maseetkhani, another in Madhya laya Ektala and finally the Super fast in Teentala) were embellished with lively and refreshingly etched variations, many of which were breathtaking.

The Hindu, New Delhi


“ There is technique, commendable musicianship, intellectual grasp, and enjoyment for himself, which is the greatest gift a musician can bring to his art."

The Times of India, New Delhi


“ One felt delighted to observe the depth and artistic maturity he has now attained. The tuneful glides were indeed soothing. His unfolding of the raga’s numerous hidden contours was indeed with scholastic insight which is in line with one who has already been awarded a Doctorate by Delhi University for his intensive and valuable research cum study in Indian music. ”

The Hindu, New Delhi 

"There was a perfect combination of thehrav, meends, and andolans in his performance…."

Ras Times, New Delhi

"One is struck by his clarity and boldness in strokes, and the confidence which he performs in concerts."

The Hindustan Times, New Delhi


"As evidenced by the fluent rippling tans, produced by him towards the close of the first gat, Prateek can also play pretty nimbly without blurring the swaras that make up the tonal passages and has a feeling for rhythm too."

Sruti, Chennai

Prateek did dish out a good number of forceful and vibrating phrases which did attain a breathtaking pace towards the end……

The Hindu, New Delhi


"Prateek's greatest asset is the heritage of his gharana reflected in his spontaneous melodic expression."

The Statesman, Kolkata


Prateek performed with much aplomb and with gay abundance….”

The Statesman, New Delhi

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